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Colorful fanfare by Wm. Spencer-Pierce, capturing both the brilliance and warmth of sunlight. Solos for Tuba, Euphonium, and optional duet for Trumpets. 3-4-3-1-1, opt. Timpani & Percussion. Duration: 3 minutes, Grade 4+ Medium Difficult.
The original "Sunstruck" fanfare scored for Brass Band. Bb Cornet (3), Eb Horn (3), Bb Trombone/Baritone (2), Bass Trombone, Euphonium, Eb and Bb Tuba. Optional Timpani, Percussion. Includes F Horn and Bass Clef Low Brass parts. Solos for Tuba, Euphonium, optional Cornet duet. Duration 3 minutes, Grade 4+ Medium Difficult.
Movement I of "Ambivalents" for String Orchestra by Wm. Spencer-Pierce. Contemporary suite with a dash of minimalism, engaging low string parts, and lots of asymmetrical meters. Duration 10 minutes. Grade 4, Medium Difficult.
Quiet and reflective second Movement. Solos for Cello & Violin.
Powerful unisons and simple polyphony drive Movement III.
Tom Rasely's “Gallery Suite” is a present-day “Pictures at an Exhibition”; most of those sixteen songs were tone paintings based on famous artworks, from which the six segments of this Suite originate.
First conceived as Guitar selections, this arrangement develops themes from Tom Rasely’s “Gallery” collection. It’s not quite a concerto grosso, but it does feature a strong Guitar soloist and an independent Rhythm Section accompanied by the Orchestra. Duration 10 minutes. Grade 4+ Med. Difficult.
James Whitcomb Riley (1849–1916) was an Indiana literary legend and one of the best-known cultural figures of his era. Known as the “Hoosier Bard,” Riley was widely recognized as Indiana’s poet laureate. His work occupies a prominent place in the Golden Age of Indiana Literature, most notably for its distinctive use of dialect and regional voice.
Riley attracted a nationwide following by building a unique personal brand with his homespun “dialect” poetry. In his day, he attained rock star status; his book sales soared as he did poetry readings on the lecture circuits alongside notables such as Mark Twain and William Jennings Bryan.
His poems evoke the rural Indiana landscape at the turn of the 20th century, portraying familiar scenes of childhood adventure, memorable characters, and lazy summer days, all shaped by the rhythms of everyday speech.
Although Riley’s language and cultural assumptions are clearly dated, his poems still hold a distinctive place in Indiana lore. They capture the Midwestern spirit and preserve a particular vision of Hoosier life that remains central to his legacy.
Composer’s Note: As an Indiana schoolboy in the 1960s, it seemed as though nearly everyone had a copy or two of James Whitcomb Riley’s poems. For this piece, I drew on books inherited from my grandmother.
Riley’s trademark is his vivid language, filled with colorful allusions to country life. His playful rhythms lend themselves naturally to singing, making the music accessible and fun to perform.
The main challenge is Riley’s highly distinctive spelling, which takes time to decode. Editorial changes have been kept to a minimum so the character of the poems remains intact.
Written for and first performed by the Salem (IN) HS Concert Choir. Duration: 12 minutes, although each Movement stands on its own - when first performed, we selected three Movements. Grade 3 Medium. Digital Edition contains both SATB and SAB settings. Perusal Score appears below. The recording of excerpts is forthcoming. - WSP